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What If Artists Owned Patreon?

What If Artists Owned Patreon?

Exploring commons-based models that put artists at the center of the economy.

Shagun Singh's avatar
Shagun Singh
May 29, 2025
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What If Artists Owned Patreon?
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This week, I’ve been reflecting on how hard it still is to make a living as an artist—despite all the platforms, promises, and experiments in alternative economies. Many ideas look promising on paper. But in reality? There’s often no follow-up, no implementation, and no stories from artists themselves.

Crypto-backed collectives? Most are built for digital artists. Many of us—painters, performers, printmakers—remain locked out. And even where new tools exist, they often replicate the same scarcity-based logic of the market, offering more ways to sell but not necessarily more ways to survive.

So I went looking for models that actually help artists earn a sustainable living. Not just through exposure or audience growth—but through shared infrastructure, reduced risk, and long-term possibility.

Guaranteed Income: Strong Evidence, Shifting Strategy

I spent some time reading about Guaranteed Income (GI) pilots in the U.S., and the findings are remarkably consistent.

  • There are now over 130 active GI pilots across the nation1.

  • The evidence is clear: unrestricted cash reduces poverty and improves employment, health, and community well-being2.

  • As a result, GI advocates are shifting energy away from new pilots and toward permanent policy change.

These pilots confirm what many artists already know: when basic needs are met, creativity flourishes. GI doesn’t tell people how to spend the money. It trusts them. And trust is a powerful economic engine. It’s a model built not on hustle, but on dignity.

This got me thinking: What if we applied some of these lessons—like pooling resources and redistributing income—to artist-run platforms?

Case Study: A Cooperative Alternative

One model I came across is Subvert.fm3—a community-driven music platform designed as a cooperative. Artists and labels sell music and merch directly to fans, just like Bandcamp. But there’s a key difference:

At Subvert.fm, artists earn ownership shares by contributing to the community—through sales, governance, or inviting others. These shares have real monetary value tied to the platform’s performance.

In short: the better the platform does, the more artists benefit. This redistributes both value and voice. Members help shape platform policies, vote on major decisions, and build equity in a space they co-own.

But It’s Not a Magic Fix

Cooperatives aren't automatic paychecks. Here’s why some members may not earn:

  • No guaranteed sales — It’s still a marketplace.

  • Contribution ≠ compensation — Community roles are often unpaid.

  • Uneven visibility — Some artists need time to grow.

  • Reinvestment happens — Profits may go back into the platform.

A cooperative is a framework, not a shortcut. It’s not meant to eliminate the need for effort or audience-building—but it gives artists a stake in the outcome and a support system for the journey.

5 Artist Income Models That Work Better Than the Market Alone

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